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The Preservation,
Storage and Display
of Precious Paper Dolls
Copyright
1995 Judy M. Johnson
Publishing and distribution of this article requires
approval from the author. Contact Judy at judyspapergoods@charter.net.
DAMAGE
& PREVENTION
It
would seem obvious that the best way not to have damaged paper
dolls is to prevent them from becoming damaged in the first
place. Yet the ways in which they may become damaged are not
always so obvious. These things can cause damage to paper:
Mishandling
- Dings
or dents from improperly holding a book or sheet
- Bending
or folding in envelopes or boxes
- Folding,
rolling or crushing prints
- Corner
dings from dropping or mailing without enough protection
- Tearing
from enthusiastic play
- Ball
point pen ink bleeding through backs
Poor
Storage
- Scraping
surface inks by sliding two pages/ books/ sheets together
- Pressure
from stacking/packing too tightly, causing inks to compact
or press onto another surface
- Putting
in brown paper or cardboard or with other acidic materials
- Putting
in areas of high humidity resulting in mold or mildew
- Exposing
to too much dryness
- Exposing
to too much heat or cold
- Putting
in drawers against raw wood
- Putting
in places infested with vermin: mice, chipmunks, moths and
other insects
- Exposing
to dirt, dust, smoke, oils, sprays and other pollutants
- Holding
together with paper clips
Poor
Display
- Placing
in florescent light or in direct--or even indirect--sunlight
- Placing
in non-archival plastics or acetate
- Using
improper adhesives such as cellophane tape or rubber cement
which turn yellow-brown
- Putting
PDs in those photo albums with the sticky pages & PVC
covers ... eeek!
Tip
-- If your clear sleeves or coverings have a strong plastic
smell to them, they are not archival. Do not use them for any
papers you really value.
Archival Materials
Throughout this article I am speaking of "Archival"
and "Acid Free" materials to use with your PDs. I
have gotten most of my storage and display materials from Light
Impressions catalog which is an education in itself, whether
you buy anything or not. But once you study one, you will find
several things you will need for your collection. Archival means
that it has no acid or chemicals which can damage your valuable
paper goods. Acid from other materials (paper, wood) and from
the air itself (various pollutants) is what kills paper and
causes it to become brittle and break. They even carry a spray
to stop the acidification process. It's very expensive but worth
it to use on very old and fragile paper dolls. It's wise to
encapsulate fragile pieces after using the spray. You place
the prints or the cut-out pieces on archival paper or board,
then seal them under a sheet of clear mylar polyester film,
stuck all around the edges with ATG tape, which is double sticky
adhesive applied by a special roller. I have encapsulated many
of my hand-painted antique fashion plates this way. Light Impressions
has some tape on a roll for hand application. Order your LIGHT
IMPRESSIONS free catalog by calling 1-800-828-5539.
KEEP
YOUR COLLECTION LOOKING YOUTHFUL
As
with your bodies, you want to slow the aging process. The previous
list of damage methods age paper dolls more rapidly than necessary.
So what to do if damage has already occurred? If there a way
to reverse the damage? Yes, in some instances, and to some degree.
Unroll the Rolls
A large PD print has been rolled and does not want to flatten
easily. Paper has a memory and knows its original form ... flat.
By adding a bit of humidity a tightly rolled print can unroll
gradually on its own., Do not attempt to force open. Surface
inks may crack or pop. Use two new or very clean plastic trash
cans, one large, one smaller. Put about an inch or less of water
in the big can. Place the rolled print in the smaller, dry can.
Put the small can inside the larger can and put a lid on it.
The moisture will help the print gradually relax as it rehydrates.
When some uncurling occurs, in a day or so, remove from the
can and place on a sheet of white paper laid over newsprint,
Lay clean sheets on top of print and put evenly distributed
heavy books on top. Let sit for a day or two, then remove nice
flat print.
Ding It Not
Those nasty little U or V shaped marks on books and prints are
some of the most irritating insults to paper dolls and the most
preventable. Try this with your telephone book: Hold it in the
palm of your left hand and thumb through it. See those fingers
underneath and the thumb pushing against them? Look at the back
of the book where the U or V has formed. There will be a crinch
in the inks and breakdown of the smoothness of the paper at
the small of the dent. Not what you want to see on your PDs.
When you thumb through a PD book, hold it in the flat of your
hand. Turn the pages one by one. When you lift a print, use
two hands, or at least several fingers under the back before
lifting. If its a large print, use your whole arm to lift. Bad
habits and lack of knowledge can be corrected. But change is
hard. I have seen historians flipping carelessly through my
hundred-plus year-old fashion plates! Its hard to change others,
but you can be aware of and change your own handling habits.
Repairing Dings
You can disguise dings in dark areas by dabbing matching watercolor
into the cracks with the tip of a fine brush. If you are not
an artist or good at mixing and matching colors, ask an expert
to help you. Mix a shade lighter than you think you need, as
paint often dries darker. You can always darken by adding another
layer of color.
Boxing for Beauty
When storing in boxes or in drawers, use acid-free materials
Place acid-free tissue between each PD when stacking. If using
a wooden drawer, seal with white acrylic paint, then line with
acid free paper. If you must use cardboard boxes, line them
first with mylar, then stack with acid-free papers.
Filing for the Future
If you store PDs in a file cabinet, use hanging files lined
with archival paper, or use file folders made of archival paper.
Do not pack too tightly to cause intense pressure on inks, or
too loosely so PDs bend.
Framing Fundamentals
When framing PD prints, always use a mat to keep art from touching
the glass. A mat leaves an air pocket so paper can breath. It
takes in and lets out humidity with the seasons. If against
glass, paper will buckle and mildew can grow in the gaps.
Always use archival materials -- acid free mats, backing papers
and boards. You can even buy UV filtered acrylic in place of
glass.
Keep art from direct or reflected sunlight and out of florescent
light. Use full spectrum lights with no ultra violet waves,
to show your really valuable collection. You can buy UV shields
for your florescent lights. Its good for your art and good for
you.
Scrap Books and Binders
Clear Polypropylene sheet protectors are inexpensive to display
prints and sets in binders. It is best to use acid-free paper
backing before slipping PDs into sleeve. Use large soft brush
to be sure PD is free of dust which can scratch and become embedded
in the paper.
In acid-free paged scrap books, use clear mounting corners or
plastic mounting strips by 3M Corp. Do not use corners on fragile
old papers as they have a tendency to crack and break with pressure.
If you must glue anything down, use a non-acidic glue stick
such as UHU, Scotch or Dennison.
Ephemera storage bags of polypropylene come in all sizes, and
are a nice way to store and show PDs. Mounting pages of 100%
cotton with polypropylene sheets fitted over them are a safe
and beautiful way to show your PDs in ring binders of several
sizes.
Clean-ups
Some well-played-with PDs are marked with pencil or crayon.
Much of this can be safely removed without lifting the inks
and ruining the color. White kneadable rubber erasers do a good
job.
Microwave
If tiny critters and molds have infested your PDs or books,
you can kill them in the microwave. (Check for tiny pinholes
in the paper -- a sign of insect infestation which could spread.)
Lay book or cut sets on the clean bottom of microwave. Put an
open small dish of water in with it to add some humidity to
the air if the paper is extremely dry. Set on high for 30 seconds.
Stop and feel the surface of paper. You want it hot, but not
too hot to touch. Beware of scorching -- this is not good.
Before
microwaving mildewed papers, first brush off as much as you
can. Then with a clean, wrung out, damp cloth gently brush away
the remainder on outside surfaces and inner covers. Microwave
as above, but without the dish of water. Set out in well-ventilated
area to dry, turning pages from time to time. Make sure paper
is thoroughly dry before storing again.
Judy
Johnson is a founding member of the Original Paper Doll Artists
Guild, writes for several national magazines and is a paper doll
artist whose books have been published by Dover and B. Shackman.
She is also the primary artist for Magicloth Paper Dolls. For a
catalog of her paper dolls and paper goodies, send $3 to: Judy's
Place, P.O. Box 216, Skandia, MI 49885, or visit her papergoodies
website. |